Biography

Maryna Pohrebniak was born on August 31, 1959 in the city of Cherepovetsi, Volohda oblast.

1974 – a candidate for master of sport of the USSR in figure skating;

1976 – a sports instructor and a referee;

1981 – graduated from Leningrad Civil Engineering Institute;

1983 – a graduate of O. Kukin Leninhrad studio – dance Theatre “Modern”;

1998 – graduated from Kyiv National University of Culture and Arts, majoring in “Amateur and Folk Arts” (qualification: educator ballet master, lecturer in professional disciplines).

1995-2005 – worked as the head of the School Dance Theatre under the National culture preserve of Ukrainian pottery; deputy director for art disciplines, Choreography teacher and the head of the folk group of modern ballet at the state specialised art boarding school “Maria” for levels I-III – “Collegium of Arts” in Opishnia.

1998-2007 – an assistant of the Department of Choreography at Poltava V.G. Korolenko State Pedagogical University;

2008-2010 – Senior Lecturer at the above-mentioned department;

2009 – successfully defended her PhD thesis on the theme A “Modern” Dance in the Artistic Culture of the Twentieth Century” and obtained her PhD in Art Criticism degree as per program subject area ‘The Theory and History of Culture” (Specialized Academic Council for PhD Thesis Defence Д 26.807.02 at Kyiv National University of Culture and Arts University (thesis adviser – Olena V. Kasianova, PhD in Art Criticism, Professor, Honoured Arts Worker of Ukraine, professor at the Department of Opera Training and Music Direction at Petro Tchaikovsky National Music Academy of Ukraine);

2012 – was conferred an academic title of an Associate Professor of the Department of Сhoreography.

2010-2019 – worked as an Associate Professor at the Department of Сhoreography at Poltava V.G. Korolenko National Pedagogical University and was the artistic director and a ballet master of the folk group of modern ballet “Maria” at Poltava V.G. Korolenko National Pedagogical University;

2018 – has been a postdoctoral student of M.T. Rylskyi Institute for Art Studies, Folklore and Ethnology of the National Academy of Sciences of Ukraine;

2019 – has been a member of the International Dance Council at UNESCO;

2020 – has been working at the Department of Theory and Teaching Methods of Art Disciplines;

• has been teaching the course “TheTheory and Methods of Contemporary Dance;
• has been supervising term papers in the discipline The Theory and Methods of Teaching Contemporary Dance.

Publications

2003

1. Pohrebniak M.M. At the origins of the national school of modern in choreography//Bulletin of KNUСА: Collection of scientific works. – K., 2003. – Issue 9. – P. 93–105. – (Series: “Art Criticism”) (professional publication).

2004

2. Pohrebniak M.M. Theoretical basis of “novelty” in the modern Ukrainian choreography//Bulletin of KNUСА: Collection of scientific works. – K., 2004. – Issue 11. – P.103–109. – (Series: “Art Criticism”) (professional publication).
3. Pohrebniak M.M. Chinese dance. The history of development: an educational and methodological coursebook for students at higher educational institutions. – Poltava: V.H. Korolenko PDPU, 2004. – 88 p.
4. Pohrebniak M.M. Pohrebniak M.M. Theoretical basis of “novelty” in the modern Ukrainian choreography/ Theatrical and choreographic art of Ukraine in the context of the world socio-cultural processes: a National scientific and practical conference, April 22-23, 2004: an abstract. – K., 2004. – P. 109–111.

2005

5. Pohrebniak M.M. The formation of an expressionist model of the modern national choreography (the 20-the 50s of the 20th century)/ Bulletin of KNUСА: Collection of scientific works. – K., 2005. – Issue 13. – (Series: “Art Criticism”) (professional publication).

2006

6. Pohrebniak M.M. “Modern” in the ballet theatre of pre-revolutionary Russia/ Bulletin of KNUСА. – K., 2006. – Issue 15. – P. 78–83. – (Series: “Art Criticism”) (professional publication).

7. Pohrebniak M.M. Aesthetic and theoretical aspects of postmodernist choreography/ Bulletin of KNUСА. – K., 2006. – Issue 14. – P. 77–81. – (Series: “Art Criticism”) (professional publication).

8. Pohrebniak M.N. The theories of “expressive movement” as the basis of methods of recreational dance//European science in the 21st century: strategy and prospects of development – 2006: The first international scientific and practical conference, May 22-31, 2006: an abstract. – Dnipropetrovsk, 2006. – P. 6–9.
9. Pohrebniak M.M. A “modern” dance in Ukraine in the 20th century/ Ukrainian culture in the context of modern scientific research and practical realities: a National scientific and practical conference, December 21-22. 2006: an abstract. – K., 2006. – P. 99–103.
10. Pohrebniak M.M. “Modern” in the ballet theatre of pre-revolutionary Russia/ Theatrical and choreographic art of Ukraine in the context of the world socio-cultural processes: a National scientific and practical conference, April 13-14. 2006: an abstract. – K., 2006. – P. 35–37.
11. Pohrebniak M. M. The formation of an expressionist model of the modern national choreography (the 20-the 50s of the 20th century)/ Theatrical and choreographic art of Ukraine in the context of the world socio-cultural processes: a National scientific and practical conference, April 13-14. 2006: an abstract. – K., 2006. – P. 28-30.

2009

12. Pohrebniak M.M. Japanese dance Ankoku Buto as a successor to the German “Ausdrucktanz”/ International scientific and theoretical conference “Cross-culturalism in the modern world” (December 11, 2009): an abstract. – K., 2009. – P. 91–99.

2010

13. Pohrebniak M.M. “Contemporary dance”: the stages of school formation

/ Tendencies and prospects of development of the world choreographic art: a National scientific and practical conference, December 6-7, 2010: an abstract. – Poltava, 2010. – P. 14–18.

14. Pohrebniak M.M. A stylised folk dance: genesis and first representatives/ M.M. Pohrebniak, D.O. Denysenko//Tendencies and prospects of development of the world choreographic art: a National scientific and practical conference, December 6-7, 2010: an abstract. – Poltava, 2010. – P. 60–63.
15. Pohrebniak M.M. K.Ya. Holeizovskyi’s compositional finds/ M.M. Pohrebniak, D.A. Pohrebniak//Tendencies and prospects of development of the world choreographic art: a National scientific and practical conference, December 6-7, 2010: an abstract. – Poltava, 2010. – P. 57–60.
16. Pohrebniak M.M. “Contemporary dance”: school formation, theory and methods of teaching: an educational and methodological coursebook for students at higher educational institutions// M.M. Pohrebniak, O.V. Riazanov. – Poltava: V.H. Korolenko PDPU, 2010. – 70 p.

2011

17. Pohrebniak M.M. Aesthetic and theoretical principles of a “modern” dance and its stylistic typology/ Theoretical issues of culture, education and upbringing: a collection of scientific works. – K., 2011. – Issue 44. – P. 152–159 (professional edition).
18. Pohrebniak M.M. Japanese dance Ankoku Buto as a successor to the German “Ausdrucktanz”/Bulletin of Kyiv National University of Culture and Arts: a collection of scientific works. – K., 2011. – Issue 25. – P. 125–132. – (Series: “Art Criticism”) (professional publication).
19. Pohrebniak M.N. Christian ethics and choreography: antinomy or harmony//Biblical history and Christian ethics: international scientific and practical conference, February 7, 2011: an abstract. – Poltava, 2011. – P. 111–116.
20. Pohrebniak M.M. The essence, genesis and aesthetics of a postmodern dance/ The problems of development of modern choreographic art and the ways to solve them: a National scientific and practical conference, November 17-18, 2011: an abstract. – Luhansk, 2011. – P. 86–92.
21. Pohrebniak M.M. The theory and methods of teaching modern dance: methodological recommendations for students at higher educational institutions. – Poltava: V.H. Korolenko PNPU, 2011. – 60 p.
22. Pohrebniak M.M. A stylised folk dance: theory, history and teaching methods: an educational and methodological coursebook for masters and doctoral students at higher educational institutions/M.M. Pohrebniak, D.O. Denysenko. – Poltava: V.H. Korolenko PNPU, 2011. – 91 p.
23. Pohrebniak M.M. Theoretical heritage of Vasyl Verkhovynets and the school of a Ukrainian folk dance: an educational and methodological coursebook for students at higher educational institutions/M.M. Pohrebniak, S.M. Huba. – Poltava: V.H. Korolenko PNPU, 2011. – 68 p.
24. Pohrebniak M.M. The theory and methods of teaching a modern dance: an educational programme for students at higher educational institutions. – Poltava: V.H. Korolenko PNPU, 2011. – 21 p.

2012

25. Pohrebniak M.M. Kasian Holeizovskyi’s compositional choreographic finds (the 20s of the 20th century)/Bulletin of the State Academy of Culture and Arts Management: a scientific journal. – Kyiv, 2012. – № 1. – P. 123–127 (professional edition).
26. Pohrebniak M.M. A stylised folk dance: genesis, definition and aesthetic peculiarities/ Problems of modernity: art, culture and pedagogy: a collection of scientific works. – Luhansk, 2012. – Issue. 20-21. – P. 286–298 (professional edition).
27. Pohrebniak M.M. A postmodern dance: essence, genesis and aesthetics/ Theoretical issues of culture, education and upbringing: collection of scientific works. – K., 2012. – Issue 45. – P. 308–316 (professional edition).
28. Pohrebniak M.M. A “modern” dance as a world view system and its educational potential/ Educational and artistic influence of modern choreographic art on the development of creative abilities of youth: trends and prospects for development: international scientific conference, October 19-21, 2012: an abstract. – Lviv, 2012, P. 30–39.
29. Pohrebniak M.M. A neoclassical style in choreography: genesis and stylistic peculiarities: an educational and methodological coursebook for students, masters and doctoral students at higher educational institutions /M.M. Pohrebniak, O.D. Pavliuk. – Poltava: V.H. Korolenko PNPU, 2012. – 99 p.
30. Pohrebniak M.M. A classical dance in the Ukrainian choreographic culture: ways of distribution (the 20s-60s of the 20th century): an educational and methodological coursebook for students at higher educational institutions/M.M. Pohrebniak, A. Yu. Lobintseva. – Poltava: V.H. Korolenko PNPU, 2012. – 100 p.

2013

31. Pohrebniak M.M. A neoclassical dance: genesis and formation of its aesthetic and stylistic peculiarities in George Balanchine Theatre

/Bulletin of Lviv National University. – Lviv, 2013. – Issue. 12. – P. 481–490. – (Series: “Art Criticism”) (professional publication, ScholarGoogle).

32. Pohrebniak M.M. The theatre of a modern dance of the 20th century/ The problems of development of modern choreographic art and ways of their solution: a National scientific and practical conference, December 5-6, 2013: an abstract. – Luhansk, 2013. – P. 17–23.
33. Pohrebniak M.M. Theatre jazz- dance: genesis and its aesthetic peculiarities/M.M. Pohrebniak, A.S. Horovetska//Tendencies and prospects of development of the world choreographic and musical art: a National scientific and practical conference, October 18-19, 2013: an abstract. – Poltava, 2013. – P. 78–80.

2014

34. Pohrebniak M.M. The department of choreography /M.M. Pohrebniak, T.O. Blahova//Psychological and Pedagogical Faculty at Poltava V.G. Korolenko National Pedagogical University: historical, organizational, pedagogical, scientific and methodological retrospective: a monograph/ a group of authors: V.I. Berezan, T.O. Blahova, N.V. Hibalova, et al.;/Ed. by N.D. Karapuzova. – Poltava: Dyvosvit, 2014. – P. 245–264.
35. Pohrebniak M.M. “Contemporary dance”: concepts and stages of school formation/Lwowsko-Rzeszowskie Zeszyty Naukowe. – Rzeszow: Uniwersytet Rzeszowski, 2014. – P. 241–255 (scientific publication of other states).
36. Pohrebniak M.M. Tendencies and prospects of development of the world choreographic art (National scientific and practical conferences, Poltava, 2010, 2013)//Aesthetics and ethics of pedagogical action: a collection of scientific works. – Kyiv-Poltava, 2014. – Issue. 7. – P. 191–196 (professional edition).
37. Pohrebniak M. Theatrical (stage) jazz dance: origins, aesthetic peculiarities, basic techniques and methods of study: an educational and methodological coursebook for students at higher educational institutions/M. Pohrebniak, A. Horovetska. – Poltava V.H. Korolenko PNPU, 2014. – 67 p.

2015

38. Pohrebniak M.M. A “modern” dance of the 20th century: origins, stylistic typology, a panorama of the historical course and evolution: a monograph. Poltava: V.H. Korolenko PNPU, 2015. 312 p. with illustrations. – Bibliography: P. 264–286.
39. Pohrebniak M. Neoclassicism in choreographic theatres after L. Massin, B. Nijinska, L. Lopukhov as a step to the neoclassical style in the George Balanchin’s theatre. Bulletin of Lviv University. Series: “Art Criticism”. 2015. Issue 16 (2). Pp. 147–156. (professional edition, ScholarGoogle).

40. Pohrebniak M.M. Maryna Pohrebniak’s author’s theatre of a modern dance. Cultural practices as a factor of socio-cultural modernisation of the modern Ukrainian society: a National scientific and practical conference, April 21-22, 2015: an abstract. – Poltava, 2015.
41. Pohrebniak M.M. Author’s theatre of a modern dance: sacred origins and characteristic features. “Sacrum et profanum”: an international scientific and practical conference, November 3-4, 2015: conference proceedings. – Lviv, 2015.

2016

42. Pohrebniak M.M. Merce Cunningham’s aesthetic ideas as a basis for the aesthetics of a postmodern dance. Basic and applied research: modern scientific and practical solutions and approaches: international scientific and practical conference, October 27-28, 2016: an abstract. – Baku, 2016. P.95–98.
43. Pohrebniak M.M. A postmodern dance: essence, genesis and aesthetics. Contemporary choreographic art: background, tendencies, prospects of development: scientific and methodological coursebook for students at higher educational institutions/Compiled by O. Plakhotniuk. Lviv: SPOLOM, 2016. – P. 19–29.

2017

44. Pohrebniak M. Author’s theatre of modern dance: sacred origins and characteristic features. Norwegian Journal of development of the International Science. Oslo, 2017. №6, part 1. P. 8–14 (scientific publication of other states).
45. Pohrebniak M. A “modern” dance of Galicia of the 20s-30s in the 20th century. A young scientist. 2017. №8.1 (48.1). P.52–57 (Index Copernicus, ScholarGoogle).
46. Pohrebniak M. Martha Graham’s subjectivist dance theatre of the 20s-30s in the 20th century. Choreographic education and art of Ukraine in the context of European and world trends: a National scientific and practical conference, April 21-22, 2017: an abstract. – Kyiv, 2017. P. 139–144.
47. Pohrebniak M. Author’s modern dance theatre of the 20th – early 21st century: “The idea of freedom” in the theory of drama and its impact on form. Artistic practices and art education in the cross-cultural space of modernity: a National scientific and practical conference, March 29-31, 2017: an abstract. – Poltava, 2017. P.32–37.
48. Pohrebniak M. A “modern” dance of Galicia of the 20s-30s in the 20th century. Culturological regional studies: theory, history and practice: a National scientific and practical conference, March 15, 2017: conference proceedings. – Poltava, 2017. – P.52–57.
49. Pohrebniak M. A folklore dance of Poltava oblast in an author’s stage variation of the country’s ballet masters/ M. Pohrebniak, A. Sierov: an educational and methodological coursebook for students at higher educational institutions. Poltava: V.H. Korolenko PNPU, 2017. 91 p.

2018

50. Pohrebniak M.M. Stage (theatrical) jazz dance: origins and aesthetic peculiarities. A young scientist. 2018. №2.2 (54.2). P.44–50 (Index Copernicus, ScholarGoogle).
51. Pohrebniak M. Support in modern ballet: peculiarities of aesthetics and neologisms /M. Pohrebniak, A. Hrushchenko: an educational and methodological coursebook for students at higher educational institutions. Poltava: V.H. Korolenko PNPU, 2018. 98 p.
52. Certificate of registration of the copyright to the work: No. 81830 dated 27.09.2018. A scientific work. Psychological and pedagogical faculty at Poltava V.G. Korolenko National Pedagogical University: a monograph/ a group of authors: Sulaieva N.V., Stepanenko M.I., Pohrebniak M.M. Poltava, 2018.

2019

53. Pohrebniak M.M. A German expressionist (“expressive”) dance: the formation of aesthetics, composition and school (the 20s in the 20th century). Bulletin of Lviv University. Series: “Art Criticism”. Issue 19. P. 157–166., professional publication, ScholarGoogle).
54. Pohrebniak M.M. Cultural and historical background of the emergence of theatrical forms of jazz dance in the USA States in the early 20th century. Art Studies of M.T. Rylskyi Institute for Art Studies, Folklore and Ethnology of the National Academy of Sciences of Ukraine. 2019 (professional edition, ScholarGoogle)
55. Pohrebniak Maryna. Stylised folk dance as a type of modern dance: genesis, meaning of the concept, aesthetic features. International Congress on Dance Research 9-11 August 2019. Lviv, Ukraine.
56. Pohrebniak M.M. Radu Poklitaru’s postmodern dance theatre. Artistic practices and art education in the cross-cultural space of modernity: proceedings of a National scientific and practical conference (with international participation), October 7-8, 2019. Poltava: V.H. Korolenko PNPU, 2019. P. 47–50.
57. Pohrebniak M.M. New forms of theatrical dance in the author’s versions of Ukrainian ballet masters of folk opera-ballet “When the Fern Blooms”. Topical problems of modern cultural and educational space: an international scientific and practical Internet conference, November 6-7, 2019: an abstract. Poltava, 2019.
58. Certificate of registration of the copyright to the work: No. 88215 dated 06.05.2019. A choreographic work – a choreographic miniature “I love and remember”.
59. Certificate of registration of the copyright to the work: No. 88216 dated 06.05.2019. Choreographic work – a choreographic picture “Anticipation” from the author’s ballet “Bride”.
60. Pohrebniak M.M. General aesthetic principles and world view ideas of the artistic culture of Europe in the late 19th – early 20th century as a prerequisite for the emergence of new trends of a theatrical dance. Development of creative potential of future specialists in art disciplines as a factor of their professional self-realisation: a collective monograph/ed. by A.I. Omelchenko. Melitopol: publishing house of Melitopol city printing house, 2019. P. 292–308.

2020

61. Pohrebniak M. Modern dance and neoclassical dance in the Ukrainian ballet of the second half of the 20th century. Theoretical and practical aspects of the development of the European Research Area: monograph/edited by authors. 4the Ed. Riga. Latvia: «Baltija Publishing», 2020. P. 20–43.

Pohrebniak M. General aesthetic principles and ideological ideas of artistic culture of Europe in the late XIX – early XX centuries as a prerequisite for the emergence of new directions of theatrical dance. Sciences of Europe. 2020. Vol. 4. No. 53. P. 3–9 (scientific publication of other states, Index Copernicus International).

63. Pohrebniak M. The concept of the art of dance and total theatre («Gesamthustwerh») artists «New Russian Ballet» in the early XX century. Sciences of Europe. 2020. Vol. 3.No. 52. P. 3–8.Pohrebniak M. Martha Graham’s subjectivist dance theatre of 1920-s – 1940-s. Norwegian Journal of development of the International Science. Oslo, 2020. № 46. Part 2. P. 9–13 (scientific publication of other states, Index Copernicus International).
64. Pohrebniak M. Alvin Ailey’s creative method and modern jazz dance. Sciences of Europe. 2020. Vol. 3. No. 54. P. 3–7 (scientific publication of other states, Index Copernicus International).
65. Pohrebniak M. The aesthetic ideas of Merce Cunningham as the basis of the aesthetics of post-modern dance. Norwegian Journal of development of the International Science. Oslo, 2020. № 44. P. 3–7 (scientific publication of other states, Index Copernicus International).
66. Pohrebniak M.M. Professional prerequisites for reforming academic ballet and the emergence of the new areas of a theatrical dance in the early 20th century. Bulletin of the NACAM. 2020. No. 3. P. 139–144. (Index Copernicus International, category “B”, professional).
67. Pohrebniak M.M. Cultural and historical preconditions for the appearance of theatrical forms of a jazz dance in the USA in the early 20th century. Ukrainian Art Criticism. M.T. Rylskyi Institute for Art Studies, Folklore and Ethnology of the National Academy of Sciences of Ukraine.: materials, research and reviews: a collection of scientific works/ chief editor H. Skrypnyk. 2019. Issue 19. P. 196–206. (ScholarGoogle, professional edition). Issued in 2020.
68. Pohrebniak M.M. Serge Lyfar’s creative method and theatrical dance as a continuation of the traditions of a neoclassical dance of ballet masters of the “New Russian Ballet”. Topical issues of the humanities. 2020. № 31. Vol. 1. P. 190–196. (Index Copernicus International, category “B”, professional edition).
69. Pohrebniak M.M. W. Forsythe’s creative method and a neoclassical dance. Topical issues of the humanities. 2020. № 32. Vol. 2. P. 17–22. (Index Copernicus International, category “B”, professional edition).
70. Pohrebniak M.M. Radu Poklitaru’s dance theatre: peculiarities of aesthetics and classification of the author’s works. Art Studies of M.T. Rylskyi Institute for Art Studies, Folklore and Ethnology of the National Academy of Sciences of Ukraine. 2020. No. 1/2 (69/70). Pp. 95–101. (ScholarGoogle, professional publication).
71. Pohrebniak M.M. A “modern” dance and a neoclassical dance in the Ukrainian ballet of the 21st century: ways of assimilation and forms of presentation. Topical issues of the humanities. 2020. No. 30. Vol. 1. P. 195–205. (Index Copernicus International, category “B”, professional publication)
72. Pohrebniak M.M. A jazz dance in the Ukrainian musical theatre of the 20th – early 21st century: ways of implementation and forms of presentation. Topical issues of the humanities. 2020. No. 28. Vol. 5. Pp. 158–166. (Index Copernicus International, category “B”, professional publication).

Awards

• a certificate of commendation from Poltava oblast Centre for Amateur and Folk Arts for active creative work at the dance school “Collegium of Arts in Opishne” to implement spiritual culture (2000);
• Certificate of Honour and the Badge of Honour of Poltava oblast council in recognition of the merit in the development of dance art, professional mastery, a significant achievement in cultural and aesthetic education of youth and active concert activities 2002);
• Certificate of Merit of the Directorate of Education and Science at Poltava oblast state administration for significant progress in teaching and educating the rising generation (2002);
• Diplomas of level II and III of the Directorate of Culture at Poltava oblast state administration for high rendering mastery at the oblast folk arts festival “Flourish, Poltava oblast, in a united Ukraine! ” (2002);
• Certificate of Merit of the Directorate of Culture at Poltava oblast state administration for pedagogical mastery and great creative work on preparing pupils for the competition of choreography departments at specialised primary art oriented educational institutions “Sribnyi Cherevychok (Silver Shoe)” (2002; 2005);
• Certificate of Honour of Zinkiv district state administration and district council for the conscientious work of many years, considerable achievements, high performance and substantial personal contribution to the development of the cultural and educational field of the district (2003);
• Diploma of level III of the 4th international festival competition of choreographic art (2004);
• Certificate of Merit of Bishop Philip of Poltava and Kremenchuk in blessing for the hard work in praise of God and for the benefit of the Holy Church (2007; 2016; 2017; 2018; 2019);
• Certificate of Merit of the Directorate of Education and Science at Poltava oblast state administration for high professional mastery and personal contribution to the personnel training –

high qualification educators (2009);

• Certificate of Honour of the executive committee of Poltava city council for conscientious work for the benefit of the territorial community of the city, fruitful scientific activity, high professional mastery, substantial personal contribution to the training of highly qualified specialists (2010);
• Diplomas of the 2nd, 3d and 4th international competitions “Artpremier” for a high level of professional training students to participate in the competitions (Kyiv, 2011; 2012; 2013);
• a certificate of commendation from the Main Directorate of Education and Science of Poltava oblast state administration, substantial personal contribution to the development of professional art and active participation in the celebration of the 75th anniversary of Poltava oblast foundation (2012);
• Certificate of Honour and the Badge of Honour of the Presidium of the Ukrainian Cultural Foundation for active creative, public and charitable activities in the field of revival and development of the national culture (Kyiv, 2014);
• certificates of commendation of the 5th, 6th, 7th and 8th “Premier” International competitions for a high level of the contestants’ training (Kyiv, 2015, 2016, 2017, 2018);
• certificates of commendation from the city mayor for conscientious creative work, high professional mastery, active concert activities, substantial personal contribution to the development of the spirituality of the rising generation, popularisation of the art of dancing and on the occasion of the Teacher’s Day (2015);
• a certificate of commendation from the city mayor for the conscientious work of many years, high professionalism, fruitful scientific and pedagogical activity, substantial personal contribution to the training of highly skilled personnel and on the occasion of a professional holiday – Teacher’s Day (2015);
• a certificate of commendation of Poltava oblast centre for aesthetic education of student youth of Poltava oblast council (2016);
• Certificate of Merit of the rector of Poltava V.G. Korolenko National Pedagogical University (2007, 2009, 2010, 2012, 2014, 2015, 2016);
• Certificate of Distinction of the 4th international competition of contemporary choreographic art “Superdance-2016” for high professional mastery of the folk group of modern ballet Maria (Lviv, 2016);
• a certificate of commendation for high professional mastery in the work of the jury in the nomination of “Choreography” of the 7th International competition “Premier-2017, 2018” and a significant contribution to the musical culture of Ukraine (Kyiv, 2017, 2018);
• Certificate of Merit of the Directorate of Culture of the executive committee of Poltava city council for substantial personal contribution to the training of highly qualified professionals, fruitful work of many years, active public activities and on the occasion of the fortieth anniversary of the establishment of Psychological and Pedagogical Faculty at Poltava V.G. Korolenko National Pedagogical University (2018);
• Certificate of Merit of the Department of Culture and Tourism at Poltava oblast state administration for substantial personal contribution to the training of highly qualified specialists fruitful work of many years, active public activities and on the occasion of the fortieth anniversary of the Faculty of Psychology and Pedagogy (2018).